Category Archives: Editorial

Wooden Indian Drew Estate Charity Pig Roast and Some Nomad Cigar Acquisition Questions

WI_DE_PR_1Yesterday I attended the 8th annual Wooden Indian Drew Estate Charity event, and I think it was the most successful so far, at least it was the one I personally enjoyed the most. The setting is the Wooden Indian Tobacconist in Havertown, PA, in the shop, in a tent on the front lawn of the shop, and on the driveway along the side of the building (which, conveniently, maybe, is next door to the local fire department…how often do we see cigar WI_DE_PR_2stores near firehouses? hmm…). Dave and his staff always do a great job with this event. I’m not quite sure how $20 pre-event registration which includes a $20 store credit toward Drew Estate purchase the day of the event and the pig roast works out, but I bought in and re-supplied some favorites that I like to have around. Pedro Gomez, the WI_DE_PR_3Factory Spokesperson for Drew Estate, and my longtime friend, was there, and I like to catch up with him when he’s around. You may remember that I talked to him on the Barnsmoker episode of the CigarCraig Podcast, if not, go back and give it a listen!  The Pig was delicious, the fellowship with the attendees was excellent, and the cigars, of course, were great. I started with a MUWAT Swamp Thang Toro, because I like that cigar, hadn’t had one in a while and had a hankerin’ for one! It’s almost become a tradition for me to smoke a Nica Rustica El Brujito with Pedro when I see him because we have a mutual connection to that cigar, so I had one of those as well.  The main event at this, er, event, was the auction of unique and interesting Drew Estate goodies, including several pieces of original WI_DE_PR_4artwork by Jessi Flores of Subculture Studios. There were several serious bidders in the crowd, and a couple bidding by proxy on the phone (who had deep pockets and won the majority of the big-ticket items). In an interesting turn of events, an item came up that had been auctioned off at this same event in 2012, and is documented on my site here, and would be hanging on my own wall if not for the persistence of the person who had to have the piece, and ended up selling it later. It took a circuitous route, but through the generosity of the gentlemen who ended up with it, it generated several hundred more dollars for charity. I’m told that over $11,000 was raised for Operation: Cigars for WI_DE_PR_5Warriors at this event, which is quite impressive.  The event was well attended, although many of the people I have seen at the event in the past were absent, however there seem to have been a ton of events happening around the northeast yesterday, Buffalo, New York, New Hampshire, all had some big events going on. I would recommend keeping an eye open for 2019’s Wooden Indian Annual Charity Pig Roast, considering what I saw yesterday, I can’t imagine it won’t be even more spectacular. Once again, kudos’ to Dave Mayer and his staff, Ray, Alex and Pedro from Drew Estate, and all the supporting cast members who made this all possible, and to those who attended and supported the excellent cause!

 

Editorial

This week it was announced that Ezra Zion Cigars acquired Nomad Cigar Company from Fred Rewey (for an undisclosed amount of bacon, but that not important to my editorial on this). This was reported on Cigar Coop, Halfwheel and Cigar Federation (which is owned by the owners of Ezra Zion Cigars, by the way), and I would probably have published a news item if Gmail hadn’t sorted the e-mail into a lesser viewed folder for me, I would have been late to the party anyway. This transaction left me with some questions, so I figured I’d throw them out here and see if  it generates any discussion. To understand what I find interesting about this we have to go back a few years. I first met Chris and Kyle at the 2012 IPCPR show when they had a booth debuting both Cigar Federation and Ezra Zion Cigars together, at the time neither was selling cigars direct to consumer, Cigar Federation was a start-up cigar community and blog site, Ezra Zion was a new cigar line. I developed a good relationship with these guys, one I hope, continues to this day. Eventually, Ezra Zion came to be one of the brands distributed by the House of Emilio, distribution company which had its roots with Gary Griffith and Delaware Cigars, and LJ Zucca Co., which had as many as nine boutique brands under its umbrella at one point. for a few years, maybe 2014, 2015, the House of Emilio was huge, they had a national sales force, Nate McEntire (now with Miami Cigar & Co) was once leading it, and Kyle and Chris of Ezra Zion were heading it at one point too (which may seem like a bit of a conflict of interest, when the sales force s reporting to one of several brand owners?). Over a relatively short period of time, Gary Griffith retires (deservedly so, some say he was close to 900 years old!), several brands either take their distribution elsewhere, or, in the case of Ezra Zion, direct to consumer. I may have the timeline a little off, but somewhere in here House of Emilio changes the name to Boutiques United (which Dave Garafalo, I assume, challenged), then Boutiques Unified. The last couple of years Boutiques Unified has represented the Emilio brand, Black Label Trading Co/Black Works Studio, and Nomad. Running Parallel to the above timeline, Chris and Kyle sold Cigar Federation, which eventually became the online storefront for Delaware Cigars, which I mentioned above was owned by LJ Zucca, and associated closely with what’s now Boutiques Unified. Last year Chris and Kyle bought back Cigar Federation, so now they own the online storefront for, what we’ll call for simplicity’s sake, the company they used to be the sales managers for, but left. Now, they have bought one of the last brands in the Boutiques Unified stable and intend to distribute it themselves. My question/confusion in this is does this leave BU (I’m tired if typing Boutiques Unified) as basically the sales organization for Black Label/Black Works?  Granted, Oveja Negra is a hot factory, and seems to be worthy of its own representation, is it big enough? Is the Emilio brand have enough legs any more?  I honestly don’t know if the AF1 and AF2 are in production any more or not, the new Grimalkin is exceptional, but is made at Oveja Negra. Where does Ezra Zion and Nomad fit in, not to mention all the Cigar Federation cigars, are they still a thing?  I’ll admit I lost track of a lot of the small batch crazy stuff EZ did after they left wider distribution (I live in an area that had pretty good BU representation). I have to assume that things are good between the EZ guys and the Delaware Cigars guys and there’s no animosity, right? I find it all very interesting, I’m probably the only one, and I apologize for boring you all with this rambling nonsense, I’m just trying to make sense of all this. I certainly get why Fred sold Nomad so he could concentrate on his social media joke telling, obviously cigars were getting in the way of the quality in that department!

**note: I just saw an email from a retailer saying they were discontinuing the Nomad line because the only reason they kept it on was the relationship they had with Fred, the sales weren’t enough to sustain it in their shop.  – edit 9/17 **

That’s way more than enough for today, until the next time,

 

CigarCraig

 

 

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New Cigars I’m Anticipating, a Fonseca, a Diesel and a Tatuaje

I mentioned in my last post that as I’ve been seeing news come from the IPCPR one of the things I miss is getting my hands on some of the new products that come out, lots of times months in advance of them hitting the stores. As I get on in years (I think using the phrase “get on in years” is, in it’s self, proof that I am), I find my interest waning in obscure, new, little, unheard of, never again to be seen brands which always seem to find their way into the IPCPR samples, and I don’t miss having to wade through those, heck, I probably still have some from years past that I can’t figure out what they are and Google isn’t even a help. That might be a fun blog post, I guess I need to work on that. Anyway, several things I’ve either posted about in the lead up to the show through news items, or read about elsewhere, piqued my interest. From Drew Estate, really the notable cigar to grab my attention is the Liga Privada H99. The bundles the announced really don’t excite me, I think La Viaja Habana comes very close to playing in this space and I don’t understand the need, just expand that brand into the bundle space, but JD is the master of marketing, not me, he has a job and I don’t so who am I to say? The Liga 10th anniversary is cool but I’ve smoked it, been there, done that. But a Corojo wrapper grown in the Connecticut River Valley intrigues the crap out of me and I’m in. Same with Willy’s new Brazilian wrapped Herrera Esteli, and I’ll give the Ligas a shot in the Corona Viva sizes if the opportunity arises (or opportunities arise) and the Undercrown Dogma is a proven winner in my book. From the Joya side, of course I’m interested in the Cinco Dècadas, the Quatro Cinco was exceptional, and I’ve been a big fan of the brand for a long time. The Joya Silver is also on my radar, although the Red and Black in that series have not been in my wheelhouse for some reason (the Cabinetta having been added to that new age kinda series is still a little weird for me, it came out in 2010, still a favorite in the shade wrapped genré).

 

Fonseca NicaraguaFriday evening I went back to a cigar that came out at the 2016 IPCPR show, the Fonseca Nicaragua Toro, a classic 6″ x 50 Nicaraguan Puro, with a Criollo ’98 wrapper from Jalapa, Jalapa binder and fillers from Esteli and Ometepe made at Placencia for Quesada Cigars. I smoked this at the show back in ’16 and was quite impressed and bought a bunch at a local shop when I got home. These are reasonably priced, I think the Toro being the largest and most expensive in the line in the $6 range online or in reasonable cigar tax states. This cigar continues to impress me every time I remember to smoke it, the flavors are kinda woody with some sweetness and a little coffee and maybe a hint of spice here and there.  Cigar Aficionado had this on their Best Buys of 2017 and I tend to agree, this is a good deal, and aged very well.

 

Of course, there were plenty of other cigars I look forward to trying from the show, and General Cigars has a bunch. The Hoya Black is one for sure, along with the new Punch Diablo, which I posted the news about back on July 6, both made by A.J. Fernandez. I don’t think there is one cigar media outlet that will tell you otherwise, General Cigar Co. rolls out the red carpet for media, and gives a structured, on time, tour of the booth, with supporting media, samples, whatever you need, and they are simply the gold standard when it comes to booth tours for media. I’ve been through their booths at seven of the eight trade shows I’ve attended (one was pre-blog) and have always gotten first class treatment. I missed seeing all my friends there too!  I look forward to the new La Gloria Cubana Esteli (different from the Serie R Esteli), the new Partagas Legend, CAO Nicaragua, and I’d happily sit down with my old buddy Sean Williams and smoke the new Cohiba Spectre, but at $90 a cigar, I’m not holding my breath!

 

Yesterday I was assembling and IKEA piece on the porch and I find that the best way to reduce the profanity during one of those projects is to have a cigar while doing it. It worked, and everything went together like it should have. The cigar I chose, the Diesel Whiskey Row, I chose while writing this piece in my head, because it’s the one new release from General Cigar Co. that had been released in advance of the show. Justin Andrews, who’s the brand manager and ambassador for the Diesel line is very proud of this cigar, he told me that it took him several trips to Nicaragua and well over a year to convince AJ to put his tobacco in bourbon barrels. I’ve since heard that AJ is now begging for more barrels, he’s so fond of the results. In the official press release, I found this one passage interesting:

AJ Fernandez says, “A lot of passion went into this process and I am very pleased with the results. Aging the binder leaf in the bourbon barrels added an unexpected layer of flavor and aroma right beneath the wrapper. When you smoke Whiskey Row, you get a unique and complex experience that engages the senses unlike any other cigar I’ve smoked.”

I imagine he said something more like this:

“Pasé un montón de pasión en este proceso y estoy muy satisfecho con los resultados. Envejecer la hoja de encuadernación en los barriles de bourbon agregó una capa inesperada de sabor y aroma justo debajo del envoltorio. Cuando fumas Whiskey Row, obtienes una experiencia única y compleja que atrapa los sentidos a diferencia de cualquier otro cigarro que he fumado “.

Diesel Whiskey RowOK, so that’s just my own twisted sense of humor, unless AJ’s English has gotten a LOT better since the last time I “talked” to him…anyway, the Whiskey Row is an interesting cigar. Of course, the burn is excellent, the draw is perfect, the ash is nice, but that’s the way cigars are supposed to be. As always, any spirits references are lost on me, but the base flavor to my palate is an umami I guess, I want to say, mushroomy, kinda savoryness, that is one of the few flavors that doesn’t really resonate with me in a cigar. There are obviously some people who are going to love the heck out of this cigar, and it’s not that it was offensive to me or made me want to throw up (that’s a mushroom story from the ’80s for another time), it’s just not my go to favorite flavor. Based on the blend, which is Nicaraguan Ometepe, Condega and Jalapa, each aged 5 to 8 years, bourbon-barrel-aged Mexican binder, wrapped in Ecuadoran Habano which is aged for five years, I don’t think I should be tasting what I’m tasting, and maybe I’m way off, maybe it’s just earthey and woody, but a, earth and wood I don’t care for. I like most nuts, but I can’t stand walnuts. It’s a solid cigar, it got me through my project with minimal swearing, and I did get to about the 1″ mark before I put it down, so how objectionable could it have been? I’ll have to get a series of bourbon barrel aged cigars together and see how they compare one of these days, is there any non-alcoholic bourbon so I can get an idea what the flavor of bourbon is? 🙂

 

Some other cigars I heard about at the show and look forward to trying are Foundation Cigar Co.s new The Tabernacle Havana Seed CT #142, another new strain to the Connecticut River Valley. Another I’m looking for is the Inch Ringmaster from EP Carillo, just because anything from EPC interests me, and I’m still exploring his line up. I’d say what everyone else is saying and put Dunbarton Tobacco and Trust’s Sin Compromiso on the list, but I’ve smoked it, and it’s fantastic (Oh yeah, the pre-release samples I smoked I was asked not to write about…they were really really good, the torpedo had pre-light nose of the wood fire curing that Saka talked about in an interview I heard with him recently, might have been on one of Cigar-Coop’s podcasts…an absolutely stellar cigar, I look forward to the regular production, although the price will up there!). Crux cigars is a line I need to familiarize myself with with the addition of my old friend Roy McLaren to the team. Except for the few Ninfa darks some time ago, I’m relatively ignorant of the brand. I can’t think of anything else off the top of my head, although I’m sure someone will remind me of a glaring omission.  Like I said, I’m on a rapid spiral to curmudgeondom, I could probably be happy smoking about twenty brands in rotation these days.

 

Tatuaje_ReservaBroadleaf_J21Last night I decided to treat myself with another cigar from the 2016 IPCPR show. I have vivid memories of stopping in the Tatuaje booth first think on the third day of the show and finding it empty, to my delight. For once, I had a chance to sit down with Pete Johnson uninterrupted, virtually unheard of. My first show as a blogger, Pete was the first person I met, and he gave me a La Riqueza Lancero, and, due to a scheduling snafu, I was only on the show floor for about 3 hours, so that was my only cigar of the show, and I didn’t meet too many people. So I was ready to get some great video and have a good conversation with Pete for a change. Dontcha know, Laura, who handles social media for the IPCPR, and should know better (yeah, I’m throwing you under the bus, Laura!), excuses herself to interrupt to introduce some middle-eastern journalist to Pete, who ends up monopolizing the discussion for about 20 minutes, introducing another guy, and it all went to hell. Pete had an appointment, I had an appointment, we were both (Pete and I) too polite to tell this guy to F-off), and I didn’t get my great one on one video (again). On the positive side, Pete did give me a couple of the Tatuaje Reserva Broadleaf J21s, as they were launching that huge $1200 100 count box collection of the Broadleaf wrapped Reservas at the show, and I smoked my last one last night. Boy was that a great cigar, and I’m envious of the folks who had the coin to drop on those cigars. I would have bought singles here and there, but the smallest quantity I was presented with to purchase was ten (one of each size) and I didn’t have the hundo in the budget at the time,  and I only wanted specific sizes.  This J21 with  two years of age was smooth, sweet, rich with everything I love in broadleaf, in Tatuaje cigars in general. Two years after release, are people selling singles now?

 

That’s all for now, until the next time,

 

CigarCraig

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A RoMEo San Andrés, Macanudo Inspirado Red and Cigar Podcasts

A bunch of cigars I smoked this week have already been covered here, so I’ll concentrate on ones that haven’t been. Notable among them were a Camacho Ecuador, a Guardian of the Farm and a Flor de Gonzalez that were all really tasty.  Now that I think about it, maybe I didn’t write about the Guardian of the Farm the first time around, I suppose I’ll have to get my hands on more and feature it, it was a really tasty cigar that was refined, complex and had some subtleties. A cigar that was a bit of a polar opposite of that was the new RoMEo San Andrés Toro, which RoMEo_SanAndres_Torois another collaboration between Altadis and AJ Fernandez. I’ve long struggled to find cigars in Altadis’ range that I like to smoke, with a few exceptions, the cigars they’ve made with AJ Fernandez have fallen into the “like to smoke” category.  There have been plenty that I’ve wanted to like, some that I tolerate, but the cigars that have really excited me were those made by AJ (H. Upmann, Montecristo, Gispert and now the RoMEo SA). I do like the Placencia made RoMEo 505 quite a bit, so there are exceptions. The RoMEo San Andrés comes in four sizes, Robusto at 5″ x 50, Toro at 6″x 54, Pirámides at 6-1/8″ x 52 and the Short Magnum at 5½ x 60. Of course the wrapper is Mexican, the binder is Nicaraguan and the fillers are Nicaraguan and Dominican. I’ve been pretty much leaning toward Toros lately, so that’s the size I smoked. I really liked this cigar a lot. It’s got the bold, earthy Mexican tobacco flavors I like, that take me back to when I started on Te-Amo Maduros, and while my tastes have expanded over the years, I still like that “dirty” profile. Next to the H. Upmann by AJ, this might be my favorite Altadis cigar now.  Worth a try if you like San Andrés tobacco.  Odd side note: one year ago today I smoked an H. Upmann by AJ, and three years ago today I smoked a RoMEo by Romeo y Julieta.

 

Yesterday I intentionally avoided being cliché and smoking something with Mexican tobacco. The new CAO Zócalo would have been an obvious choice, and I really like that cigar. I decided to take a different journey. As previously reported, I am a big fan of the new Macanudo Inspirado Red, made in Nicaragua at the Scandinavian Tobacco Group’s factory in Esteli (I’ve been past it twice, never visited!). I really liked the Robusto, so I figured I’d try out the Toro and Gigante too. Interestingly, the Robusto is the only box pressed cigar in the line, the Toro and Gigante are round. I have no clue why that is. I smoked the 6″ x 60 Gigante yesterday. This is the blurb from the website about the blend:

This bold, full-bodied offering represents the marriage of rich volcanic soil and profound aging techniques to achieve unmatched strength and refinement. Dressed in Ecuadoran Habano ligero and blended with rare tobaccos including twelve-year aged Nicaraguan Ometepe, ten-year aged Honduran Jamastran and five-year-aged Nicaraguan Esteli, Macanudo Inspirado Red is bound with hearty Nicaraguan Jalapa. Enticing notes of pepper and spice reign, transcending the experience of Central American tobaccos to the point of sublime.

Macanudo_InspiradoRed_GiganteFor starters, make sure you set aside a couple of hours to smoke the Gigante, while it’s only 6″ x 60, it burned so slow. I was almost a mile into my walk and hadn’t gotten to the one inch mark, and I think the total smoking time approached two and a half hours. It was ridiculous, making it a very good value, because these aren’t expensive cigars. It was a very enjoyable smoke, it had the richness and great flavors of the Robusto in a little less focused way. I wouldn’t use the term “washed out”, but the cooler burn of the larger ring gauge certainly smoothed out the flavors. I thoroughly enjoyed the smoke and look forward to the Toro.  The Inspriado Red is a great cigar to celebrate 50 years of Macanudo.

 

I’ve been listening to a few new-to-me podcasts lately. I’ve really enjoyed the Boveda Box Pressed and Cigar Snob Magazine‘s podcasts, very informative. A few months ago when I was in New Hampshire for The Cigar Authority‘s 400th show, I met Dave who launched the Cigar Hacks Podcast, in the last few months. The Cigar Hacks features a revolving panel and they do a blind tasting and run down events in the New Hampshire and Massachusetts areas. There is much spontaneous discussion and it can be quite hilarious. I’ve been invited on the show, and I need to make that happen, as there are some areas I can help them out with (like pronouncing words like Aganorsa). It was through this show that I was introduced to The Retrohale Podcast. This show is done by a couple of guys in Colorado, and what I like about it is their tagline: “We don’t review cigars, we smoke cigars and talk about them.” , which pretty much aligns with my own MO here at CigarCraig.com. This one is more entertainment than informative, but it’s akin to hanging out in a cigar shop and talking.  There are a lot of cigar podcasts out there, I have my rotation, but try new ones out all the time.

 

That’s all for today, until the next time,

 

CigarCraig

 

 

 

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Debonaire Daybreak Toro, Habano Robusto and a Tribute

Every year at this time of year I think it would be great to post a long, detailed post about how I had a dried out cigar and managed to “resurrect” it, but it could be very funny to some, and blasphemous to others. While I don’t have specific religious beliefs of my own, I do have some respect for those who do.  Today would have been the perfect storm of high religious holiday and foolish trickery, so I might have been able to pull it off.  I’d like to think I’m taking the high road and avoiding the low-hanging fruit of Easter based puns and foolishness. I also make every attempt to never discuss religion or politics, two divisive subjects and the world needs less divisiveness. So I’ll do the usual bit where I talk about some cigars I enjoyed this week.

 

Debonaire_Daybreak_ToroMy favorite of the week was a Debonaire Ultra Premium Daybreak Toro. I received a generous package from Drew Estate, who distributes Phil Zanghi’s Debonaire and Indian Motorcycle Cigars  lines, and skipped my usual waiting period and lit one up yesterday. It was a beautiful day and I sat on the deck in the sun and enjoyed the crap out of this 6″x50  toro (my favorite size).  I’m quite sure I’ve heard Phil say that the Debonaire line is all the same blend, binder and filler, with different wrappers applied, Habano, Maduro, and in this case, Ecuador Connecticut (minor nit to pick, the Debonaire website just lists it as “Connecticut Shade”). Having smoked examples of the Maduro and Habano versions, I liked the Daybreak the best. It smoked perfectly, it’s not a mild Connecticut, I think the wrapper tempers the strong blend of Dominican and Nicaraguan binder and filler with a complimentary nutty, buttery flavor.  I found it to be a very good smoke, smooth, rich and satisfying.  It’s not often that the shade wrapped version will make me happier than the maduro.

 

Debonaire_Habano_RobustoI got home late last night and decided, against my own better judgement, that I would have a digestif, if you will, after having a burger with pulled pork, smoked mozzarella, fried onions and BBQ sauce. Of course, I had nachos for an appetizer, and a couple of root beers. We probably won’t go back to this particular place as the only reason we ever go there is to see our friend Scott Erickson play, and I don’t think he’s playing there anymore. It’s odd to have a craft beer themed restaurant in a mall anyway, and there’s many better places to eat in the area.  I figured having a cigar at 10PM wasn’t going to be a good idea, and I suppose I’ll need a nap today…but the cigar was very good.  I guess it makes sense to mention that the cigar was a Debonaire Habano Robusto, one I picked up last September at a store in Connecticut when I was in town for the Connecticut Barn Smoker. I grabbed a handful of them because I hadn’t really smoked a lot of the Debonaire line and wanted to try them.  It was good, meaty and savory, with some oomph!  It burned well, and tasted good, and kept me up half the night tossing and turning! Did you know that the show Two and a Half Men was on Nick at Night at one or two in the morning? Surprising. Anyway, Phil Zanghi is an interesting dude, and makes some great cigars, although I find them a little pricey for my tastes. I’m a bang-for-the-buck kinda guy.  Expensive cigars but worthwhile trying as they are tasty.

 

I’m a fan of cigar podcasts, and I listened to the final episode of the Smooth Draws Radio Show this week and found it very moving. The creator and driving force of the show, Gary “Doc” Laden passed away suddenly earlier this year, and the show was a tribute to him. To hear his wife do the intro, and his voice Photo lifted from SmoothDraws Websiteinterspersed throughout the show had me near tears. I had the pleasure of spending some time with Gary at the IPCPR show last year, we talked quite a bit about many things, including why a Jewish guy had a plate full of bacon and sausage at breakfast. He was a retired physician, a cigar lover, and an overall super friendly guy. I miss hearing his sometimes inappropriate comments on the radio show. He gave everyone nicknames, and may have avoided him giving me one by giving myself one! I only knew him a year or so, and spent less time with him than I would have liked, but I’ll miss the guy, he passed too soon. Nick Syris, Chad Potier, Coop, and everyone involved gave Gary a touching tribute with the last show. I wish I could get to Atlanta later this month for the memorial herf.

 

Anyway, I have a plan to watch hockey and smoke cigars today, so I best get some things done around here before game time.  Until the next time,

 

CigarCraig

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Gran Habano ZuluZulu, Black Dalia, La Conquista and Corojo No. 5 Maduro Cigars

GranHabanoSTK_ZuluZuluWhite_CoronaGordaThis week had me smoking through some Gran Habano offerings that I hadn’t smoked before. Gran Habano has been around a long time, although I don’t see them in a lot of my local brick and mortar shops (CI might have them, I never thought to look, and their website indicates a couple nearby shops, I’l have to look again!).  I’ve enjoyed many cigars from George Rico and his father, Guillermo, and their Honduras factory.  I started out this week with the corona gorda (5-5/8″ x 46) sized ZuluZulu Mas Paz White.  This tasty cigar has a Nicaraguan Habano wrapper with a Nicaraguan Habano binder, and Nicaraguan fillers.  This is part of the S.T.K. Miami line, but all indications are that they are rolled in Honduras. I really don’t care where it was rolled, it was a damned fine cigar. I thought it was smooth and creamy, with some earthiness, coffee and caramel. The cigar comes in a full sleeve, I don’t know what to call the material, glassine paper, maybe?  It is translucent to a point where one can see the band underneath. The artwork featured on the packaging is by  Colombian-American artist, “Mas Paz”, a friend of George Rico.  The S.T.K. Line was originally George Rico’s private blends. This one was very good.

 

GranHabanoSTK_BlackDalia RobustoThe next cigar I smoked was also from the S.T.K. line was the Black Dalia Robusto. I was drawn to the beautiful band on this one, it was striking, although I’m not certain what exactly it is. It looks like maybe some sort of headdress with gold leaf, a black flower (presumably the Dalia) and light pink. The band shouldn’t matter, but first impressions do play into the perception of a cigar’s quality. I’ve smoked many great, premium cigars that have bands that look like bundle cigar bands and it did take away from the experience for me. I suppose I’m a snob in some ways.  Anyway, this Black Dalia smoked very well.  It was a 5″ x 52 robusto with a Nicaraguan Shade Grown Corojo wrapper, a double binder of Habano and Nicaraguan and fillers from Nicaragua, Columbia and Costa Rica. Gran Habano lists Habano often in their literature with no indication of where it’s grown. The wrapper is beautiful, the cigar has nice flavors of coffee with some spice and nuts.  I think I liked this less than the Zulu White, but it was still very tasty and left me satisfied.

 

GranHabano_LaConquista_RobustoThe next cigar that was new to me from Gran Habano was the La Conquista, presented with a cedar sleeve.  Again, I smoked the 5″ x 52 Robusto with a Nicaraguan Corojo wrapper, Nicaraguan binder and Nicaraguan, Colombian and Costa Rican fillers.  This and the Black Dalia are listed as Full Bodied, but they were solid mediums for my jaded palate.  The cedar sleeve seemed to impart a very woody flavor to the first half of this cigar, it’s a flavor I don’t much care for in a cigar, but just because I don’t like it doesn’t mean others don’t. When it comes to food, there are a lot of normal things I don’t like the flavor of, potatoes, for example (unless they are crispy), lots of vegetables, I’m weird. Once the wood note faded eventually and I really did enjoy the cigar. It went from woody to leathery, which I guess makes sense.  It lacked the sweetness I like in a cigar, but it burned well. I’ve been shying away from robustos lately because I seem to need a little more time with a cigar lately, but the Gran Habano offerings I’ve smoked in that size seem to last a good amount of time, maybe an hour and a half?  Impressive.

 

GranHabano_CorojoNo5Maduro_RobustoI still have the S.T.K. ZuluZulu Black to try, as well as the staple #5 Corojo and # 1 Connecticut to revisit, but I had to go Maduro for yesterday’s cigar. The Gran Habano No. 5 Maduro was my kinda cigar!  This is presented in the style of the Havana Partagas Serie Edition Limitadas, with the red band and the gold secondary “LE” band. I often fantasize about being the kind of cigar smoker who has a rotation of 8 or 10 staple cigars, and this would probably be among them. If I were able to be that kind of smoker it would save me a lot of time with selection and taking pictures and stuff, but it would be very boring for you.  Anyway, this is listed as the strongest in the Gran Habano portfolio and I tend to agree. It’s espresso and dark chocolate all day long and like Maxwell House, it’s good to the last drop. I think I put this one down with less than a half-inch left.  This has a Nicaraguan Maduro wrapper (assuming it’s a Corojo, as the band says “Corojo No. 5”), Habano binder, and Nicaraguan and Costa Rican fillers. This is a really tasty smoke and I don’t think they break the bank price wise.  Great cigar, for my palate, at least.

 

I need to vent a little.  I got a mess of press releases this week, and my fellow bloggers and cigar media brethren are orders of magnitude better at posting news than I am.  That’s not my area of expertise, and I’m happy to point people to other outlets that excel in that area. Cigar-Coop, HalfWheel, Developing Palates, BlindMansPuff, Cigar Dojo, the list goes on. One “news” item that mystified me this week was that Crowned Heads was releasing a line of new…..hats! OK, when Rocky Patel announces that he’s got 8 new lighters coming out, that’s weird but cigar related.  Granted, I’m neither a fan of hats for the most part, or Crowned Heads (I fall into the apathy category about the brand if I’m honest), and maybe this is why I don’t care much about the brand (although I apparently care enough to bitch about it).  Hats….seriously? This is worthy of cigar news?  Macanudo is celebrating its 50th anniversary. News. Famous Smoke Shop upgraded their Cigar Monster auction site. News. Gurkha has a new lounge exclusive cigar. news. A company that sells good cigars adds to their baseball cap line?  Are they a cigar maker or a hat company?  People will argue that they make great cigars (they have great cigars made), and they are “cool”, but I don’t get it, and it doesn’t interest me. That’s enough of this edition of “you kids get the hell off my lawn”, until the next time,

 

CigarCraig

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